Der Prozess – The Trial

Pierluigi Fabrizio
Francesca Longhini

20.04.19 – 27.07.19

Curated by Maurizio Vicerè

P.zza della Rinascita. 24. 65122 Pescara - Italy

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Pierluigi Fabrizio

#004
Fine Art print on Hahnemühle Luster paper
49,5 x 40,5 cm. 2019
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Pierluigi Fabrizio

#002
Fine Art print on Hahnemühle Luster paper
100,5 x 80,6 cm. 2019

Francesca Longhini

The efforts tunnel will eat you alive
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
22x31cm. 2017
Smiley face

Pierluigi Fabrizio

#002
Fine Art print on Hahnemühle Luster paper
100,5 x 80,6 cm. 2019
Smiley face

Francesca Longhini

The efforts tunnel will eat you alive
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
22x31cm. 2017

Pierluigi Fabrizio

#007
Fine Art print on Hahnemühle Luster paper
29,5x23,7 cm. 2019
Smiley face

Pierluigi Fabrizio

#007
Fine Art print on Hahnemühle Luster paper
29,5x23,7 cm. 2019

Francesca Longhini

Still standing
Gold foil, acrylic, graphite, wax and gesso on canvas sticked on board
16x16 cm. 2016
Smiley face

Pierluigi Fabrizio

#005
Fine Art print on Hahnemühle Luster paper
49,5x40,5 cm. 2019

Francesca Longhini

Putting a drained curve on a pedestal
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
19x21 cm. 2017
Smiley face

Pierluigi Fabrizio

#003
Fine Art print on Hahnemühle Luster paper
100,5x80,6 cm. 2019

Francesca Longhini

Piccola rete di notti mancate (A small net of missed sleeps)
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
22x27 cm. 2017
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Pierluigi Fabrizio

#001
Fine Art print on Hahnemühle Luster paper
100,5x80,6 cm. 2019

Francesca Longhini

Everything is almost perfect despite everything
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
16x20 cm. 2017
Smiley face

Smiley face

Smiley face

Pierluigi Fabrizio

#006
Fine art prints on Hahnemühle Luster paper
29,5x23,7 cm. 2019

Francesca Longhini

#005
Fine art prints on Hahnemühle Luster paper
49,5x40,5 cm. 2019
Smiley face

Francesca Longhini

Putting a drained curve on a pedestal
Gold foil, acrylic, graphite, wax, gesso and rabbit glue on linen
19x21 cm. 2017
Smiley face

Smiley face

Pierluigi Fabrizio

#005
Fine Art print on Hahnemühle Luster paper
49,5x40,5 cm. 2019
THE COURT is pleased to present the fourth exhibition Der Prozess by the artists Pierluigi Fabrizio and Francesca Longhini curated by Maurizio Vicerè. The exhibition has been designed in pairs of works by the respective artists trying to create rebus and ambiguous relationships between the two researches.

NOTE: It is never easy to talk about Franz Kafka (Prague, 1883 – Kierling, 1924) perhaps because a lot has already been said and there are many influences of the writer in modern literature. In his novels Kafka has succeeded in translating the dream, the grotesque, the suspended, the ambiguous, the comedy and the tragic into a corpus of literature whose maximum expression is perhaps precisely in Der Prozess – The Trial (1914 – 1915), posthumously published in the 1925.

Introduction to the Exhibition

A grand piano. What is more passionate about it? Is it not the musical instrument that best translates the most authentic passions of man into notes? And yet, let’s take a closer look at photography. Apparently it does not seem to show us anything, there is no action and less than ever someone to be surprised by our indiscreet presence. Let’s take a closer look at the details. It is covered by a case and by thin layers of dust: we would say disused. Only an orange glow from the left illuminates this piano in the center of a stage whose limits are highlighted by a dense tent like the night. A first scene framed in what we can guess as an interlude between the theater and the scenes, the scene and all that is made up. Pierluigi Fabrizio (Pescara, 1977) welcomes us with this photograph taken inside the Florian Theater in Pescara which is part of a project developed specifically for this exhibition, in close relationship with the novel by Franz Kafka, Der Prozess. Moving to the right from the photo we see a small painting in which on the canvas a thin layer of acrylic, mixed with graphite and glue, forms the backdrop to a double perspective, a double-arc geometric composition still in acrylic and gold leaf. It is difficult to give a definition to the works of Francesca Longhini (Brescia, 1985). I believe they are a codification or rather the de-coding of a probable intimate reality. In a certain sense, Longhini has a relationship with figuration even if it is always tied to an urgency for abstraction, allegory and synthesis. Everyone feels free to see what he wants but for me we are faced with a sort of tunnel in which two arches are interspersed in perspective. The artist with his unique way of painting wants to invite us to enter, to walk through corridors and rooms built to art and that actually multiply and confuse the real and imaginative spaces causing a certain vertigo there on the threshold of a surreal journey that is proper world of Kafka.
Curated by Maurizio Vicerè.

Pictures by Pierluigi Fabrizio
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